Maximum Movies, Pulp Fictions
film culture and the worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson
Position papers : in defense of pulp movies
A genealogy of pulp : Black mask to Mickey Spillane
A world of small insanities : the critical reception of Kiss me deadly
American primitive : Samuel Fuller's pulp politics
Authenticating pulp : Jim Thompson adaptations and neo-noir
Conclusion : hiding out in cinemas
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