Banned from several theatres upon its initial release due to a great deal of implied homosexuality not to mention allusions to justifiable genocide, Alfred Hitchcock’s first colour film remains one of his best—a dark and unsettling study of one upper class sociopath’s evening of psychological games. Famous for being filmed entirely on one indoor set (true) using one continuous take (not true) this is definitely one of Hitchcock’s more striking productions with a voyeuristic camera smoothly gliding from room to room, seemingly in real time, as it follows first one character and then the other. Masterfully directed, Hitchcock manages to make eighty minutes seem like an entire evening’s worth of tension and suspense starting with the murder itself and ending with a somewhat ingratiating homily perhaps meant to dispel some of the film’s more controversial elements. A fine ensemble piece which plays out like live theatre.

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